Entertainment Law
Podcast 360 Deal
In this
podcast from entertainment lawyers they are discussing the 360 deals that are
becoming more popular in the music industry.
Record labels are doing these deals because of the decline in record
sales, and they are finding different ways to collect money from the
artist. 360 deals allows the record
label to get paid off of sponsorship, endorsements, live touring, websites, and
much more. These deals can encompass all
the rights or partial rights. There are
two types of 360 deals, ownership of
rights deal and income participation deal.
The ownership of rights deal, is a deal where the label owns the rights
that they receive income on. The incomeparticipation deal is when the label does not own the rights, but they just
receive income on the different deals.
In this
podcast these lawyers are giving great advice for artist to look out for while
making these 360 deals with labels, but they are also giving great advice for
record labels on how to put these deals to together that protects their label. Also, the podcast discusses the importance of
rights and how to protect you as an artist.
For example, they talk about the case of Drake being sued by his
ex-girlfriend for using a recorded voicemail on the song Marvin’s Room. His ex-girlfriend is suing to get co-writer
credits. She is getting credits for song
credits on another song on the album, but now she feels she should be credited
for this song because of the recorded voicemail that has been used. Many of us would think that Drake is going to
end up paying her a large amount of money, but the lawyers saying that she did
not bring that much creative flow the track, and she should not get the
credit. But the lawyers are saying this
is a case of how artist should make sure they have everything squared away in
the beginning so you will not end up in case like this. These podcast are very helpful for any up and
coming artist or label executive. They
are giving great advice that can help protect you from losing a lot of money in
the future.
Kellie B.